As sites for more-than-human dramas, landscapes are radical tools for decentering human hubris. Landscapes are not backdrops for historical action: they are themselves active. Watching landscapes in formation shows humans joining other living beings in shaping worlds. Anna Tsing

The series „The Landscape“ explores and expands the landscape image. In a sculptural approach to photography, the installation „edge of the sea“ revolves around the non-human agents who have been creating coastal landscapes for millennia: water, wind, erosion, fossilization.

From coral fossils on the Taiwanese island Xiao Liuqiu to the rough Atlantic coastline of Southern France, the work is rooted in various intertidal zones where the elements meet and merge to form landscapes and ecosystems.

the landscape_edge of the sea

digital prints on hemp and kozo paper, single channel video. dimensions variable. 2024