Walking is an immersive and multi-sensory form of bodily movement. According to Edmund Husserl and other phenomenologists, we understand our body in relation to the world when we practice the mundane act of walking. While we walk, our bodies engage with the surrounding space and we intimately sense, perceive and think a place.
Since I am interested in how to gain embodied spatial knowledge in artistic practice, most of my work is based on walking as a way to read the landscape in direct encounter while going through it on foot. This site is a research log which collects some trials, fails and results from my process and also interesting stuff related to walking as an artistic practice.
Guy Debord
Street Life exhibition. Wilhelm-Hack-Museum
drought walk
When I make use of walking in my practice, I rarely walk only once from A to B. My style of walking is more repetitive, I often walk the same paths again and again to get familiar with the landscape. Usually, I walk several times before I record anything. Nevertheless, I tried a single linear walk in the hot and dry summer of 2022 and walked a stretch of the Neckar river to see what the long-lasting drought did to the riverbank ecosystem. The result of this „drought walk“ is now a two channel video which includes some heat and tries to pick up the linearity and sequentiality of walking through a landscape once.
I have to admit that - for several reasons - neither the linear walk nor the linear video works for me. Walking through an environment only once but with the intention to document the space photographically appears to me as a rather superficial way to engage with the terrain. I end up scanning the environment to "find" the images I need or want. Like a flaneur who is looking for something specific but is detached from the place.
drought walk
WALK! exhibition. Schirn Frankfurt
There is no such thing as nature, Gallery Monica Ruppert, Frankfurt, 2022
First results of my research on the use of photography and textile materials to create three-dimensional spaces which may be experienced by the walking viewer.
Usually I do not subscribe to the "bigger is better" theory when it comes to prints. But the 240 x 300 cm sized wallpapers suit "Landscape of the Car" quite well to enable a more intense spatial experience while viewing the work.
Urbanität in Bearbeitung, Kunstverein Ludwigshafen, 2021
Sperrgebiet, digital projection on textile fabric
An attempt to transfer the walking experience to the installation by a choreography of images
Extensive ambulatory activities during the lockdown. And re-read those books, which still belong to the best resources on walking (in the arts).
The Dérive Series exhibition. Ten Gallery Mannheim